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Canon EOS 5D Review

Peter Kun Frary

Appearance, Weight and Feel

This mid-sized camera is curvy and a looker. Hell it's better looking than my last girlfriend. The lack of a popup flash allows the pentaprism hump to take on an aerodynamic contour similar to the 1D series. The finish is a textured satin black and looks rather industrial. Nevertheless, the finish is both durable and ruggedly handsome.

I prefer a camera with enough mass for stability and to counterbalance big glass. At 810g (28.6 oz) the EOS 5D is beefy, almost the same weight and size as the EOS 3 (780g) or 10D (790g), but noticeably larger and heavier than a 20D (685g) or 30D (700g). Thus, larger telephoto lenses like the EF 300 4L or EF 70-200 4L USM balance well. At 152 x 113 x 75 mm, there is also plenty to grip on to. It's petite compared to other full frame cameras such as the EOS 1D series.

When in hand, the EOS 5D feels solid and doesn't squeak or flex when you squeeze it. The magnesium body is cool to the touch and reinforces the sturdy and confident feel of the camera. The contoured grip is extremely comfortable--fits my hand perfectly--and is similar in feel to an EOS 3, 1N or 1V, although the finger grooves aren't as deep. In contrast the 20D grip is smaller, less contoured and not nearly as comfortable.

I find the rubber port cover--USB, remote, video and flash--tricky to open.

Viewfinder

The EOS 5D sports an eye-level glass pentaprism, Ee-A Precision Matte focusing screen and Quick-Return half mirror. The stock focusing screen is bright and contrasty, brighter than my EOS 3. I find manual focus easier on this screen than the stock 10D screen. However it reveals a mildly gritty halftone texture when a F4 or slower lens is used. With a F2.8 or faster lens screen texture is virtually invisible. The screen texture is similar to the stock 20D screen, albeit finer grained and slightly brighter (probably due to lower viewfinder magnification).

The focusing screens are user interchangeable, but currently there are only 2 other screens available, a plain matte (Ee-S) and grid (Ee-D). The Ee-S is darker but with higher contrast to facilitate manual focus (no microprism). The Ee-D sports grid lines to aid in composition.

Interchangeable focusing screens are easy to clean: remove and blow off particles with bulb blower or compressed air. Avoid cleaning the screen while installed. A blast of air will hurl particles into unreachable places, e.g., between screen and pentaprism.

The viewfinder yields 96% coverage at 71% magnification and is near in size and coverage to a 1D series viewfinder. After using a 10D for 3 years I feel like I've reached viewfinder Nirvana. I'll never go back to that tiny peephole again. Now it's easy to keep horizons straight and the glory of landscapes are apparent. This is a magnificent viewfinder!

I find the eye relief of 20mm ample and have no problem seeing the entire viewfinder, including the information display and surrounding black border. I have heard shooters with deep-set eyes, tall noses and/or extremely thick spectacles complain it is difficult to see the entire viewfinder. With Revo sunglasses (high nose pads), I can still see the entire image and information display.

The green backlit viewfinder display shows F stop, shutter speed, exposure compensation, burst frames and flash compensation. Display brightness automatically adjusts according to ambient light. It has an analog scale for manual exposure and exposure compensation. In addition, icons for AE Lock, AF confirmation and flash illuminate when appropriate. The transparent gray focusing rectangles flash red when activated (this may be disabled with a custom function). The AF rectangles seem small compared to the 20D due to lower viewfinder magnification.

I find the viewfinder data display slightly small and dim in bright light. I can read it but must scrutinize it longer than other EOS cameras. The low viewfinder magnification--.71x--makes for a tiny data display compared to the 10D (.88x ) and 20D (.94x) displays. A custom function for brightness would be helpful. While I'm complaining, I'd also like a duel ambient and flash scale (like the 1D VF series display).

Viewfinder Dust

I've read rumblings on the 'net about early production bodies with industrial leavings in the mirror chamber, resulting in dirty viewfinders and sensors out of the box. With use the leavings work their way out of nooks and crannies, leaving hundreds of particles on the screen. Some owners sent their bodies to Canon for cleaning only to have hundreds of particles dislodge again during transit.

At the time of this review--12 weeks of use--I haven't noticed an unusual amount of viewfinder dust. All SLRs eventually get a few specks on the focusing screen. I can see 3 nearly microscopic black specks if I point at a white cloud and concentrate really hard. I would not notice them during normal use. Of course I never change lenses under dusty conditions or use zooms in sand storms or salt spray. I'll update this section if things change a few months or year out. July 2009 Update: still no problems with both viewfinder and sensor dust.

Treasure Island at Las VegasEOS 5D and EF 24-105 4L IS USM hand held. ISO 1600, F4 with IS engaged.

Ease of Use

If you've used EOS cameras, you'll feel at home with the EOS 5D. If you're coming from a 10D or 20D you won't have to crack the manual as most controls and operations are the same or similar.

If you've never used a DSLR, the EOS 5D is easy to learn with a fully automatic mode (point 'n shoot) and intuitive semiautomatic and manual modes when you're ready to take control. Most important controls are clearly labeled and available at the twist of a dial or switch. I can quickly toggle in and out of drive, AF and exposure modes. However, changing drive modes is easier on the Elan 7: simply push a clearly labeled thumb switch on the top deck. You can easily do this while looking through the viewfinder! The EOS 5D requires a button push and dial spin.

The control surfaces feel solid and responsive. The shutter button is comfortable and is more similar in feel to my EOS 3 than the 10D or Elan 7. The 10D requires a deeper stroke to fire. However, it isn't as touchy as the EOS 3's shutter button. Unlike the EOS 3, I haven't had any accidental exposures! Of course, the touchy shutter button of the EOS 3 enhances release speed. Incidentally, the vertical release on the BG-E4 is more sensitive than the main shutter button.

Cold boot or wake from sleep is virtually instant. AF and shutter response feel as fast as my EOS 3, and are much faster than the 10D and Elan 7.

The top LCD is clear and about the same size as the 10D/20D. Dull orange illumination is available at the touch of a button on the top deck. I prefer the cool blue neon glow of the EOS 1N, 3 and Elan 7NE.

LCD Monitor

The 5D sports a rear mounted 230,000 pixel, 2.5 inch TFT color LCD with 5 levels of brightness and magnification controls. The magnification feature is handy for checking exposure and sharpness in the field. Unlike point 'n shoot digicams, the LCD is used for image review and menu options only--preview is not available.

The TFT is clear under most conditions except daylight, where it is useless. It's dimmer and less contrasty than the 10D, 20D and 40D screens so you'll need to max out brightness. Firmware 1.1.0 increased LCD brightness somewhat, but it's still on the dim side. The TFT initially was too warm for my taste--yellowish--but was corrected to a more neutral hue with Firmware 1.1.1. Fortunately, viewing quality is consistent across a 170 degree viewing angle. So, unlike the 10D or 20D, a slight tilt of the head won't change contrast and color.

The TFT protective cover is subject to nose grease and is difficult to keep clean. It also scratches easily if rubbed against shirt buttons.

The many menu options are easy to navigate with the QCD and Jump button. Canon choose to enlarge the print rather than fit more text in a larger screen. A wise choice as it's easier to read than the screens on the 10D and 20D.

©Copyright 2006-2009 by Peter Kun Frary • All Rights Reserved

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