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Canon EOS 10D Review

Peter Kun Frary

Appearance, Weight and Feel

This mid-sized camera is a looker. The finish is a textured satin black and looks a little rough and industrial. I prefer a brushed aluminum or stainless steel finish (easier to find in the dark). Nevertheless, the finish is both durable and handsome. After months of rubbing against my clothing and camera bag, the finish has not worn or taken on a shine. In contrast, the satin finish of my EOS A2 and 1N had many shiny spots after only a couple months of use.

Waianae Ridge Sunset • EOS 10D & EF 70-200 4L USM • Av mode with -1.0 AE compensation.

I prefer a camera with enough mass for stability and to counterbalance big glass. At 790 g (27.9 oz) the EOS 10D is beefy, about the same weight as the EOS 3 or 5D. Thus, larger telephoto lenses like the EF 300 4L or EF 70-200 4L USM balance well. At 150 x 108 x 75 mm, there is also plenty to grip on to. In other words, it's bigger than an Elan 7 but smaller than an EOS 3.

When in hand, the EOS 10D feels extremely solid and doesn't squeak or flex when you squeeze it. The magnesium body is cool to the touch and reinforces the sturdy and confident feel of the camera. The contoured grip is comfortable--better than the EOS 20D--but not quite as comfortable as the EOS 3 or 1V (they seem like part of my hand).

Viewfinder

Like most EOS cameras except some Rebels and the IX series, the EOS 10D sports an eye-level glass pentaprism, New Laser Matte focusing screen and Quick-Return half mirror. The non-interchangeable focusing screen is reasonably bright and contrasty with a extremely smooth and grainless appearance (the 20D/30D screens are gritty in comparison). The viewfinder sports 95% coverage but is tiny, about 25% smaller than an EOS 3! Think of it as an Elan 7 viewfinder with a black cropping mask. With that said, the 10D viewfinder is bigger and brighter than the dim peepholes found in the Olympus E10 and E20.

The small viewfinder makes it difficult to compose precisely: keeping horizons or vertical lines from slopping is a struggle. I wish the 10D had interchangeable focusing screens or at least an on-demand grid pattern (composition aid). Interchangeable focusing screens are also easier to clean: remove and blow off particles with compressed air. With a fixed screen, the blower can't reach all surfaces. If your 10D screen gets dirty, use a bulb blower. Compressed air will hurl particles into unreachable places, e.g., between screen and pentaprism.

I find the eye relief of 20 mm ample and have no problem seeing the entire viewfinder, including the information display. With Revo sunglasses (high nose pads), I can still see the entire image and information display. Due to the small image size, you can probably wear coke bottle glasses and still see the whole frame!

The green backlit viewfinder display shows F stop, shutter speed, exposure compensation, burst frames and flash compensation. Viewfinder display brightness automatically adjusts according to ambient light but is generally brighter than the 5D and 30D displays. It has an analog scale for manual exposure and exposure compensation. In addition, icons for AE Lock, AF confirmation and flash illuminate when appropriate. The transparent gray focusing rectangles flash red when activated (this may be disabled with a custom function).

Ease of Use

If you've used EOS cameras, you'll feel at home with the EOS 10D. Operation is similar to the EOS A2 or Elan 7. I hardly had to crack the manual. If you've never used a DSLR, the EOS 10D is one of the easiest to learn with fully automatic modes (point 'n shoot) and intuitive semiautomatic and manual modes when you're ready to take control.

All important controls are clearly labeled and available at the twist of a dial or switch. I could toggle in and out of drive, AF and exposure modes in a flash. However, changing drive modes is much easier on the Elan 7: push a clearly labeled thumb switch on the top deck. You can easily do this while looking through the viewfinder! The EOS 10D requires a button push and main dial input, oh well.

The control surfaces feel solid but responsive. The shutter button is comfortable but requires a slightly deeper press than my EOS 3 or Elan 7E. However, it isn't as touchy or sensitive as the EOS 3's shutter button. Unlike the EOS 3, I haven't had any accidental exposures! Of course, the touchy shutter button of the EOS 3 enhances release speed.

LCD and TFT Screens

The top LCD is clear and larger than the Elan 7 LCD. Dull orange illumination is available at the touch of a button on the top deck. I prefer the blue neon glow of the EOS 1N and 3. Too bad there isn't a custom function to change LCD color (my Casio watch offers a choice!).

The rear mounted 118,000 pixel, 1.8 inch TFT color LCD is vivid under most conditions except bright sunlight. Albeit smaller, it's easier to see than the 5D and 30D TFTs due to greater brightness and contrast. Unfortunately contrast varies as you move your head.

The TFT sports 5 levels of brightness and zoom image magnification. The magnification feature is handy for checking exposure and sharpness in the field. Unlike point 'n shoot digicams, the LCD is used for image review and menu options only--preview is not available. The menu options seem endless but are easy to navigate with the QCD and Jump button. Unfortunately, the TFT protective cover is subject to nose grease and scratches. It may be replaced, but I covered mine with a Belkin PDA screen overlay for protection. The clear polymer doesn't reduce clarity much and is easy to remove when it wears out. Of course, I had to cut the overlay to fit the TFT.

Chinatown Afternoon • EOS 10D & EF 24-85 3.5-4.5 USM

Cold Boot

Cold boot and wake from sleep is a seemingly long 2 seconds. Once activated, the EOS 10D is a nimble and decisive picture taking machine. AF and shutter response are about as fast as the Elan 7. Only EOS 3 or 1V shooters will be disappointed with shutter response. However, I find sleep mode counterproductive. The 2 second wait after poking the shutter button seems like an eternity when a grabshot arises. Film cameras are always ready to go. If you have a pocket full of batteries you can extend the active mode or disable sleep mode entirely.

©Copyright 2003-2006 by Peter Kun Frary • All Rights Reserved

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